

Ultimately, the ending is what did truly affect me the most about the show. Unfortunately, after making promises of taking them with her to Canada, we never so much as see Ayila again. Jasim (Asad Siddiqui) and Ayila (Sana Sarfaraz) were completely useless characters as they had no real importance.Ī part of me expected Ayila's husband or Ayila herself to play the role of "Salman Khan" (Baghban) and save Saim (Nadeem) and Humera (Bushra) from their fate.

This couple was harder to read, because they were only 50% rotten. On the other end, we had Faran (Hassan Ahmed), who was not necessarily a terrible son (he had some redeeming qualities), but was easily influenced by his scheming wife Saira (Mansha Pasha). Bazil (Khalid Malick) was not only a terrible excuse for a son, but also a terrible husband and defined the word nalaik (worthless) throughout the show. This was especially true in the case of Laiba (Rehma Ali), who is Humera's (Bushra Ansari) own niece! The complete change in her attitude towards Humera was highly unpalatable.
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The dialogues almost made me want to scream at times, they were so cruel and so full of hatred towards two old people who did nothing wrong. The problem with this story, copying aside, was simple: The sons and daughter-in-laws were terrible people. That aside, I'm a stickler for punishment, so I continued watching. This is a copy of Baghban." If I wanted to watch Baghban, I would watch Baghban. When the promos of this show began, I thought "Hey, a story about parents and their children - this has promise." When the show actually began, however, I was instantly slapped in the face with another thought: "Wow.
